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A Midsummer Night's Dream · William Shakespeare · c. 1595

HELENA

A young woman chasing a man who despises her keeps offering herself lower and lower, and the more he refuses the harder she clings. Humiliation becomes a strange kind of courage.

1:08Dramatic-comic18–25IntermediatePublic domain
The speech112 words · 3 beats
0:00 / 1:08
And even for that do I love you the more. I am your spaniel; and, Demetrius, The more you beat me, I will fawn on you: Use me but as your spaniel, spurn me, strike me, Neglect me, lose me; only give me leave, Unworthy as I am, to follow you.
What worser place can I beg in your love,— And yet a place of high respect with me,— Than to be used as you use your dog?turn
Your virtue is my privilege: for that It is not night when I do see your face, Therefore I think I am not in the night; Nor doth this wood lack worlds of company, For you in my respect are all the world.
Speaking to
Demetrius, who is trying to lose her in the forest.
What just happened
Demetrius has fled into the woods after Hermia, and Helena has followed uninvited. He tells her flatly he does not and cannot love her. She refuses to leave.
Objective
To wear down his rejection until he takes her at any price.
The turn
'And even for that do I love you the more' — his contempt, meant to drive her off, becomes her reason to stay.
Watch out for
The trap is pathetic whining. Helena is witty and self-aware even while debasing herself; the spaniel image is a deliberate, almost defiant argument. Keep it playable as pursuit, not collapse.
Full work: A Midsummer Night's Dream